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Design theory
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Design theory is a subfield of concerned with various theoretical approaches towards understanding and delineating design principles, design knowledge, and design practice.


History
Design theory has been approached and interpreted in many ways, from designers' personal statements of design principles, through constructs of the philosophy of design to a search for a .

The essay "Ornament and Crime" by from 1908 is one of the early 'principles' design-theoretical texts. Others include 's Vers une architecture (1923),Le Corbusier, Vers une architecture" (1923) and 's Design for the real world'' (1972).

In a 'principles' approach to design theory, the movement (founded in 1917) promoted a geometrical abstract, "ascetic" form of purism that was limited to functionality. This modernist attitude underpinned the movement (1919 onwards). Principles were drawn up for design that were applicable to all areas of modern aesthetics.

For an introduction to the philosophy of design see the article by Per Galle at the Royal Danish Academy.

An example of early design science was Altshuller's Theory of inventive problem solving, known as , which originated in the Soviet Union in the 1940s. Herbert Simon's 1969 The sciences of the artificial

(1996). 9780262691918, MIT Press.
developed further foundations for a science of design. Since then the further development of fields such as , , , and has promoted a wider understanding of design theory.


See also


Sources
  • , Ornament and Crime, 1908
  • , The capacity of the Bauhaus idea, 1922
  • , The Mayan threshold, 1951
  • , Mythologies, 1957, Frankfurt am Main, Suhrkamp, 2003 (in 1964) Excerpt
  • Tomás Maldonado, New developments in the industry, 1958
  • , The medium is the message, 1964
  • , The crisis of functionalism, 1968
  • Herbert A. Simon, The Science of Design, 1969
  • , Dilemmas in a general theory of planning, 1973
  • Lucius Burckhardt, design is invisible, 1980
  • Annika Frye, Design und Improvisation: Produkte, Prozesse und Methoden, transcript, Bielefeld, 2017
  • Maurizio Vitta, The Meaning of Design, 1985
  • , We are the primitives, 1985
  • , Ramsifikation, 1987
  • Maurizio Morgantini, Man Confronted by the Third Technological Generation, 1989
  • , Bauhaus and Ulm, 1991
  • , On Some virtues of Design
  • Claudia Mareis, design as a knowledge culture, 2011
  • , today Tomorrow composts, 2005
  • , Design Beyond the Limits, 2011
  • Tom Bieling, Design (&) Activism – Perspectives on Design as Activism and Activism as Design. Mimesis, Milano, 2019, ISBN 978-88-6977-241-2
  • , design thinking, Berg, Oxford, 2011
  • , The Politics of the Artificial: Essays on Design and Design Studies, 2002
  • , D.A.: A Transdisciplinary Handbook of Design Anthropology, 2013
  • Michael Schulze, concept and concept of the work. The sculptural design in architectural education, Zurich vdf, Hochschulverlag AG at the ETH Zurich, 2013,
  • , Atmospheric style. On the importance of atmosphere and design for a socially sustainable interior design, Basel, 2013,
  • Tim Parsons, Thinking: Objects, Contemporary Approaches to Product Design (AVA Academia Advanced), Juli 2009,


External links
  • http://backspace.com/notes/2009/07/design-manifestos.php

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